Saturday, October 5, 2013

Everything now leads up the Workshop #1! You need all of it!

===
PLEASE SIT WITH YOUR CLASS PARTNER TODAY! this week's classes will be PIVOTAL to your work in this section of the course! Know this website post inside & out! Get out your web packet for Hewitt, Dill, Yuval-Davis, Guidroz for today; bring in those you made previously too. 

Two weeks or four classes until we meet together in  
WORKSHOP #1 – Power, Movements, Worlds

By today you should have talked with your class partner and come up with ideas about what you are going to do, and how! Will you collaborate with someone? What will be your approach to your poster or paper with handout? 

We explore how feminists analyze how power structures our worlds. 

Will you analyze Zandt’s or McGonigal's book through the analysis (eyes, lens) of Davis’ The Making of Our Bodies, Our Selves?

OR analyze Davis’ book through the analysis (eyes, lens) of Zandt’s Share This? or McGonigal's Reality is Broken

NOTICE THIS IS MORE THAN COMPARE AND CONTRAST: this is more complex and difficult but also more fun! 


Both research posters and research papers should demonstrate the RESULTS of your research and analysis, and also HOW YOU GOT THEM! Always make a point of connecting projects to class readings and lectures. Always use an academic citation system for both papers and posters. Some info here. Discuss this with your class partner too, and also brainstorm what a research poster can do. If you are doing a paper, consider these issues of cognitive visualizations for your handout. Leeann Hunter's work on posters should be useful for handouts too! Look here

===

NOTE: Next week you will need to have read
·       Davis, Kathy (2008), 'Intersectionality as buzzword: A sociology of science perspective on what makes a feminist theory successful', Feminist Theory, 9 (1), 67-85. (Handed out or otherwise shared).  

What IS a buzzword?
Wikipedia says (what do you think? compare to "myth" as Davis also uses?)

"A buzzword (also fashion word) is a term of art, salesmanship, politics, or technical jargon[1] that is used in the media and wider society outside of its originally narrow technical context, often in an inaccurate manner, or for purposes other than the conveying of information.

"Buzzwords differ from jargon in that jargon is esoteric but precisely defined terminology used for ease of communication between specialists in a given field, whereas a buzzword (which often develops from the appropriation of technical jargon) is often used in a more general way, inaccurately or inappropriately. 

"A person who chooses to use buzzwords may have one or more of the following objectives:

"Intentional vagueness. In management or politics, opaque words of unclear meaning may be used: their positive connotations prevents questioning of intent. The most notable essay on this theme is George Orwell's "Politics and the English Language" [2] (See newspeak)

"A desire to impress a judge, an examiner, an audience, or a readership, or to win an argument, through name-dropping of esoteric and poorly understood terms in an attempt to inflate trivial ideas to something of importance.

"Therefore a phrase is not in itself a buzzword: it becomes one in the context of inappropriate usage or usage with an ulterior motive."

===
Compare buzzword and myth in Davis' use? 


• "generated a powerful symbolic imagery" that allowed for global impact
•"a shadow side": "deny or gloss over events in the present that did not fit their collective sense of who they were or what their project was about"
• "an impediment to a more historically informed and self-reflexive understanding of themselves and their project"

===
TIMELINE TEMPLATE HERE! 

===
Thursday 10 October, Intersectionality’s Foundations
·       Hewitt, Intro; Berger, Intro & all of Section I (pp. 25-80)
·       LOOK UP ALL YOU CAN ABOUT HEWITT, DILL, YUVAL-DAVIS AND GUIDROZ ON THE WEB AND BRING IN PRINT OUTS
·       BRING IN WEB RESEARCH ON WHAT WAS HAPPENING IN US FEMINISM IN 1983

Why would Dill start off with the notion of sisterhood? “All-inclusive”? What does that mean? What can you learn about feminism in 1983 on the web that will help you understand why she is approaching these issues the way she does? Use the web research you brought in to share.

problematizecriticizecritiquedebunk 

• using privileges of class and race to get into public sphere despite the disadvantages of gender 

• calling into question the politics of personal experience as decentering experiential differences (of power by race and class) that are structural 

• "sisterhood" as feminist myth, usable by some more than others, with its shadow side. 

• women of color, inside, rejecting, along side, pushed outside, uninterested in, accomplishing other justice goals.... 


earning "sisterhood" -- not given, but part a shared struggle -- whose struggles shared with who else? standpoint and shared struggle -- what about anger and power?

salience and intersections: intersectionality   

oppositional consciousness and chicana theories and mythologies of malinche   


how many "intersections"? should any be "centered"? when about all women of color and when about particular groups of women of color? why might it be important to center particular women of color, when and for what reasons? can intersectionality itself be critiqued? what does that entail?

More on intersectionality & underlining principles
from European perspectives....  

===
 ===




===

===
Tuesday 8 October, Feminist Myths in a Feminist Politics of Knowledge
·       Davis, all of Part II (Chs 3, 4, 5)

Why does Davis connect “empowerment” and “bewitchment”? What’s her point here? What are feminist subjects and why do they need to be created? How does Davis make us aware of the time periods involved? How are “myths” moveable in space and time? What sorts of feminist actions do they make possible? How might they help with epistemological projects? Why are they different from something just untrue?


Davis, 85-6: the feminist myth in action:

• "make sense of their history"
• "an origin story"
• "become agents of historical change"
• "heroic tale with plucky female protagonists who bravely take on a series of powerful adversaries...and come out victorious."
•"a family saga about a group of women who created an enduring personal bond that enabled their political project to survive and thrive for more than three decades."
• "constructing a history that made sense in different and sometimes contradictory ways."
• "understand their individual and collective experiences at different periods"
• "provided the motor for the group's activism."
• "generated a powerful symbolic imagery" that allowed for global impact
•"a shadow side": "deny or gloss over events in the present that did not fit their collective sense of who they were or what their project was about"
• "an impediment to a more historically informed and self-reflexive understanding of themselves and their project"

[image: http://www.ourbodiesourselves.org/uploads/images/founders.jpg ]

From the Wikipedia on "myth":

"The term 'myth' is often used colloquially to refer to a false story, but academic use of the term does not pass judgment on truth or falsity. In the study of folklore, a myth is a sacred narrative explaining how the world and humankind came to be in their present form. Many scholars in other fields use the term 'myth' in somewhat different ways. In a very broad sense, the word can refer to any traditional story." 




[images: Photo from Davis 2007:34: Hazel Hankin; http://www.motherpeace.com/karen_female_shamanism.html

===


===

Some encouragements (making us all courageous?) as we work toward Workshop #1!

(From John Cage and Corita Kent: Ten Rules for Students and Teachers: http://www.brainpickings.org/index.php/2012/08/10/10-rules-for-students-and-teachers-john-cage-corita-kent/



===

No comments:

Post a Comment